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Tina Brown:

“Sharon Waxman has written a compelling page turner about the world of antiquities and art-world skulduggery. She manages to combine rigorous, scholarly reporting with a flair for intrigue and personality that gives Loot the fast pace of a novel. I enjoyed it immensely."

Christopher Hitchens:

“Sharon Waxman’s Loot is the most instructive as well as the most intelligent (and the most entertaining) guide through the labyrinth of antiquity and the ways in which the claims of the departed intersect with the rights of the living.”

Douglas Preston, author of The Monster of Florence:

"Loot is a riveting foray into the biggest question facing museums today: who should own the great works of ancient art? Sharon Waxman is a first-rate reporter, a veritable Euphronios of words, who not only explores the legal and moral ambiguities of the conflict but brings to life the colorful -- even outrageous -- personalities facing off for a high noon showdown over some of the world’s iconic works of art. Vivid, witty, and delightful, this book will beguile any reader with an interest in art and museums."

Lucette Lagnado, author of The Man in the White Sharkskin Suit:

“Sharon Waxman approaches her subject with the passion of a great journalist and the rigor of a scholar. It may never again be possible for some of us to walk down the halls of the Louvre or the British Museum or the Metropolitan without a vague sense of disquietude, a frisson of wonder about the provenance of some of their showcase works of ancient art.”

Karl E. Meyer, author of The Plundered Past and co-author of Kingmakers: The Invention of the Modern Middle East:

"Sharon Waxman’s Loot is indispensable for everyone concerned with the illicit trade in smuggled antiquities. She exposes the self-serving humbug that too often afflicts both affluent possessors and righteous nationalists and shows that we all have a stake in getting an honest account of how great objects came to rest in our grandest museums."

March 2007

March 19, 2007

History for Sale

Prax_2 Now we're talking. Ron Stodghill has written an interesting article in the Sunday Times about the Aboutaam brothers, two seasoned antique art dealers whose lives are being made increasingly complicated by the new realities of the art trade. The subject, it so happens, is one that I am currently investigating for my new book, "Stealing from The Pharaohs," about the tug-of-war between museums and countries whose antiquities were carted off by Western powers. The article explains that with all the concerns over looted art and otherwise illegally obtained antique objects, it has become terribly difficult to conduct commerce even for reputable antiquarians. (Photo at left is of a sculpture by the Greek artist Praxiteles, currently in Cleveland at the Museum of Art, but which Greece is claiming to be of problematic origin.)

In other words, no more swashbuckling art dealers who flit between Beirut and Geneva and New York with priceless, 2,000-year-old bronzes stuffed in their shaving kits. The implications for the great Western museums are daunting. They will have to take a much closer look at their own collections of Greco-Roman, Near Eastern, Egyptian and other art, and explain where they came from, and how. Stay tuned, there'll be more on this to come...