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Tina Brown:

“Sharon Waxman has written a compelling page turner about the world of antiquities and art-world skulduggery. She manages to combine rigorous, scholarly reporting with a flair for intrigue and personality that gives Loot the fast pace of a novel. I enjoyed it immensely."

Christopher Hitchens:

“Sharon Waxman’s Loot is the most instructive as well as the most intelligent (and the most entertaining) guide through the labyrinth of antiquity and the ways in which the claims of the departed intersect with the rights of the living.”

Douglas Preston, author of The Monster of Florence:

"Loot is a riveting foray into the biggest question facing museums today: who should own the great works of ancient art? Sharon Waxman is a first-rate reporter, a veritable Euphronios of words, who not only explores the legal and moral ambiguities of the conflict but brings to life the colorful -- even outrageous -- personalities facing off for a high noon showdown over some of the world’s iconic works of art. Vivid, witty, and delightful, this book will beguile any reader with an interest in art and museums."

Lucette Lagnado, author of The Man in the White Sharkskin Suit:

“Sharon Waxman approaches her subject with the passion of a great journalist and the rigor of a scholar. It may never again be possible for some of us to walk down the halls of the Louvre or the British Museum or the Metropolitan without a vague sense of disquietude, a frisson of wonder about the provenance of some of their showcase works of ancient art.”

Karl E. Meyer, author of The Plundered Past and co-author of Kingmakers: The Invention of the Modern Middle East:

"Sharon Waxman’s Loot is indispensable for everyone concerned with the illicit trade in smuggled antiquities. She exposes the self-serving humbug that too often afflicts both affluent possessors and righteous nationalists and shows that we all have a stake in getting an honest account of how great objects came to rest in our grandest museums."

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July 26, 2007

Paros Nights

Paros PAROS, Greece – The sun is quickly sinking over the bay of Paros, a honey-orange ball easing its way beyond the undulating hillside of this island. The light has cast a pinkish hue over the water, while a huge ship – Blue Star Ferries – slides into the port, with tourists mainly eager to mount scooters and head for the beaches. But Paros is a center of antiquity, home to many rich archeological sites, many of them fairly recent finds. Still, it’s most famous as the source of the finest marble used in the ancient world, a pale translucent stone which allows light to reflect from within. Parian marble was used, for example, for the Venus de Milo, the Winged Victory of Samothrace, and many other monuments (including many by Praxiteles, whose exhibit was inaugurated last night in Athens). Paros is also the place where Marion True, the former curator of the Getty, has her second home. I am here to learn more about True, how she is viewed now that she is accused of a crime. For many years True mixed with high society, befriended the local archeologists and collectors alike, doling out grants and buying for the museum. Last year her home here was raided by police, who claim to have found illegal antiquities there. True says the pieces were in the home when she bought it, apparently a common custom around here, and that she’d informed the authorities when she bought the house. Few are willing to associate with her today. As one former friend said, anonymously, told me: “Well, when you have power, you have many friends….” Still on trial in Italy for related alleged crimes, True comes to Paros, but is seldom seen.