

Tina Brown:
“Sharon Waxman has written a compelling page turner about the world of antiquities and art-world skulduggery. She manages to combine rigorous, scholarly reporting with a flair for intrigue and personality that gives Loot the fast pace of a novel. I enjoyed it immensely."
Christopher Hitchens:
“Sharon Waxman’s Loot is the most instructive as well as the most intelligent (and the most entertaining) guide through the labyrinth of antiquity and the ways in which the claims of the departed intersect with the rights of the living.”
Douglas Preston, author of The Monster of Florence:
"Loot is a riveting foray into the biggest question facing museums today: who should own the great works of ancient art? Sharon Waxman is a first-rate reporter, a veritable Euphronios of words, who not only explores the legal and moral ambiguities of the conflict but brings to life the colorful -- even outrageous -- personalities facing off for a high noon showdown over some of the world’s iconic works of art. Vivid, witty, and delightful, this book will beguile any reader with an interest in art and museums."
Lucette Lagnado, author of The Man in the White Sharkskin Suit:
“Sharon Waxman approaches her subject with the passion of a great journalist and the rigor of a scholar. It may never again be possible for some of us to walk down the halls of the Louvre or the British Museum or the Metropolitan without a vague sense of disquietude, a frisson of wonder about the provenance of some of their showcase works of ancient art.”
Karl E. Meyer, author of The Plundered Past and co-author of Kingmakers: The Invention of the Modern Middle East:
"Sharon Waxman’s Loot is indispensable for everyone concerned with the illicit trade in smuggled antiquities. She exposes the self-serving humbug that too often afflicts both affluent possessors and righteous nationalists and shows that we all have a stake in getting an honest account of how great objects came to rest in our grandest museums."
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| Truthdig.com - Karl E. Meyer on Sharon Waxman’s ‘Loot’ »
I count as very high praise indeed the review by Karl Meyer at Truthdig.net today. Meyer, a former editorial writer at The New York Times and foreign correspondent before that, wrote the definitive book about the issues of plundered antiquities some 35 years ago, called "The Plundered Past." (I refer to it in my introduction.) Meyer drew attention to what was, at the time, a problem completely ignored by the general public. He noticed what was happening in developing countries - illicit digging, smuggling, the ruin of archeological sites - not because he was an art expert, but because he was a good reporter who paid attention, and cared.
I note this especially because it was a pattern I discovered in my research of "Loot". Often the person who brought the problem of looted antiquities to the fore was some lone reporter - not a member of the art or museum establishment - who figured it out on his or her own, and took considerable risks to tell the truth. (You'll meet them in the book.)
Here's a part of what Meyer says:
"I devoured “Loot: The Battle over the Stolen Treasures of the Ancient World” with particular zest, having published in 1973 an earlier account of the same cultural underworld, “The Plundered Past.” A seasoned reporter with an Oxford degree in Middle East studies, Sharon Waxman has updated and surpassed my explorations, in part because the outcry over the illicit traffic has reached fever pitch, provoking voluble, angry and indiscreet utterances from curators, collectors, dealers and a new breed of watchdogs.
"The first merit of Waxman’s book, the best on its subject, is her verbatim account of conversations with everybody who matters in the antiquities trade. ...And let it be said that while Sharon Waxman’s study offers no novel answers, she poses all the right questions."
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